Past exhibitions

Das Leben ist ein Kampfspiel Jan Wölfchen Vlček
22. 11. 2024 – 24. 1. 2025
After Time Polina Davydenko
10. 9. – 31. 10. 2024
What's Inside the World, Always Present, and Matter (Possibility Thereof)

That Dreams of Awakening
Tereza Jobová, Ruta Putramentaite
17. 5. – 5. 7. 2024
Veränderte Vergangenheit Karen Koltermann
15. 3. – 30. 4. 2024
Dairy protest Denisa Langrová
23. 9. – 30. 11. 2023
Partial drawing of a ring Comunite Fresca, Inge Kosková, Eva Brodská, Jaroslav J. Alt, Tomáš Džadoň, Zuzana Janečková, Lucie Králíková, Michaela Casková, Kryštof Netolický a Jahou Baul
20. 4. – 31. 7. 2023
In its own field Jakub Tajovský
10. 2. – 14. 4. 2023
Space between us Karíma Al-Mukhtarová and Nicole Wendel /D/
17. 11. 2022 – 20. 1. 2023
HERBARIUM Adam Vačkář
8. 9. – 28. 10. 2022
WIRKEN IM GLEICHEN Susanne Schär a Peter Spillmann /CH/
14. 4. – 31. 5. 2022
RAPTILE BRAIN Stanislav Karoli, Kateřina Nováková
27. 1. – 27. 3. 2022
TORTURING THE CATS Matej Chrenka, Elsa Rauerová, Matěj Skalický, Adam Kencki
16. 11. – 16. 12. 2021
MARIA IN PINK Tanja Hemm /D/
21. 8. – 30. 9. 2021
DISPOSITIONS Ondřej Filípek, Stella Geppert /D/
17. 7. – 18. 8. 2021
ACROSS Patrik Pelikán
1. 3. – 31. 5. 2021
ELVES LEAVING THE FOREST András Cséfalvay
22. 12. 2020 – 22. 1. 2021
CONTINUAL TRANSITIONS Daniel Hanzlík
20. 11. 2020 – 22. 1. 2021
HIDDEN IN PLAIN SIGHT Jiří Žák
14. 8. – 24. 9. 2020
MORPHOLOGY Eliáš Dolejší – Marie Jarošincová – Roswitha Maul – Petra Skořepová – Tomáš Voves
25. 5. – 25. 7. 2020
I KNOW Pavel Humhal
30. 1. – 31. 3. 2020
FIGURAE Max Leiß
7. 11. – 28. 12. 2019
Matěj Lipavský, Václav Litvan, Vojtěch Skácel
18. 9. – 25. 10. 2019
RAUSCHEN | EFFERVESCENCE Christine Camenisch | Johannes Vetsch /CH/
27. 5. – 27. 7. 2019
PLACE OF APPROXIMATION, SPACE OF DISCONNECTION Daniela Krajčová, Peter Jánošík /SK/
4. 4. – 15. 5. 2019
DUST ON A SHELF Gabor Kristóf /HU/
14. 2. – 21. 3. 2019
EYES / AUGEN Fabian Ginsberg, Stefan Hayn /D/
8. 11. – 20. 12. 2018
THE FREELANCE DJ Sláva Sobotovičová /SK/, David Fesl /CZ/
21. 9. – 25. 10. 2018
LIQUID MOTHER LOVE Ester Geislerová /CZ/, Milan Mazúr /SK/
28. 5. – 27. 7. 2018
THERE ARE MORE THINGS Jaro Varga, Dorota Kenderová /SK/
12. 4. – 18. 5. 2018
NATURALISM Vladimír Véla, Jaromír Šimkůj
18. 1. – 22. 2. 2018
WILD MEADOWS Mark Ther
9. 11. – 20. 12. 2017
REKONSTRUKCE PRAVDY Philipp Gasser /CH/
21. 9. – 29. 10. 2017
'PATADATA1 /CZ, DE, UK/ Václav Girsa, Franziska Hufnagel, Andrea Lédlová, Brian Reffin Smith, Lukas Troberg
19. 5. – 19. 7. 2017
BLIND SPOTS David Možný
11. 4. – 11. 5. 2017
CNS Šárka Koudelová, Ondřej Basjuk
2. 3. – 31. 3. 2017
PARTICIP č. 197 Tomáš Vaněk
15. 12. 2016 – 27. 1. 2017
GROUND Silvia Klara Breitwieser /D/
3. 11. – 2. 12. 2016
NEW HORIZONS II. András Cséfalvay /SK/
15. 9. – 16. 10. 2016
DOOM Kryštof Kaplan
20. 5. – 30. 6. 2016
I-SANCTUARY Irina Birger /NL/
7. 4. – 14. 5. 2016
ČUJKI Lenka Černotová
18. 2. – 18. 3. 2016
FURTHER AND HIGHER Daniel Vlček
25. 11. – 10. 12. 2015
UVOLNĚNÝ POHYB Ben Brix /D/
22. 10. – 20. 11. 2015
PER MAN ENT FÓR ENT PER FOR MAN'S Per man ent fór ent per for man`s
15. 8. – 25. 9. 2015
Games in the globe Adéla Součková, Matěj Smetana
25. 6. – 31. 7. 2015
PALLIATIVE Iede Reckman /NL/
5. 5. – 5. 5. 2015
TOO MUCH, TOO SOON Katarína Hládeková, Ondřej Homola
19. 3. – 24. 4. 2015
TERRIBLE GRAPES AND BAD WINE Jiří Kovanda, Markéta Othová
5. 2. – 11. 3. 2015
ANAGRAMM Matthias Hesselbacher /D/
13. 11. – 19. 12. 2014
RAHMEN UND RAHMENBESCHRÄNKUNGEN Eva Koťátková /CZ/, Josef Hofer /AT/
18. 9. – 31. 10. 2014
MARSEILLE Pierre-Gilles Chaussonnet /F/
1. 9. – 10. 10. 2014
IF BEAUTY KILLS Blanka Jakubčíková
10. 7. – 15. 8. 2014
INTERTWINED Antoinette Nausikaa /NL/
14. 3. – 30. 4. 2014
CLASH Pavel Hošek
13. 2. – 12. 3. 2014
Still Life Petr Willert
3. 12. – 20. 12. 2013
WHATEVER Jan Šerých
17. 9. – 18. 10. 2013
SELF PORTRAITS Patricie Fexová
9. 7. – 8. 8. 2013
CONVERTER Carola Ernst /D/
16. 5. – 28. 6. 2013
FRAGMENTS AND EVENTS Zbyněk Sedlecký
14. 3. – 2. 5. 2013
SOMETHING Jan Ambrůz
18. 1. – 28. 2. 2013
I'M TELLING YOU IT'S TRUE, BUT Václav Girsa
18. 10. 2012 – 31. 1. 2013
MODUS OPERANDI Petr Bařinka, Pavel Strnad
23. 7. – 31. 8. 2012
Zlín#32 Petr Stanický
22. 5. – 22. 5. 2012
TERMOVISION Matej Fabian /SK/
2. 2. – 21. 3. 2012
Portfolio 2 Jiří Petrbok
14. 12. 2011 – 31. 1. 2012
MÍSTNÍ MUZEUM Dominik Lang
8. 11. – 2. 12. 2011
MEDITATION Jaroslav Čevora
1. 9. – 14. 10. 2011
BARVY COLOURS FARBEN COLORI Lenka Vítková, Jiří Valoch
12. 7. – 28. 8. 2011
POZITIVY Zbigniew Libera /PL/
3. 5. – 3. 7. 2011
SPÍŠ TIŠE Zdeněk Gajdoš
23. 2. – 8. 4. 2011
NENÍ NÁVRATU Pavel Forman
25. 12. 2010 – 21. 1. 2011
SVĚT BEZ MÍSTA Habima Fuchs, Erwin Kneihsl, Markus Selg /D/
9. 9. – 22. 10. 2010
ANDREW´S HONEYMOON IN INDIA / ANDREWOVA SVATEBNÍ CESTA V INDII Andrew Gilbert /GB/
6. 5. – 4. 6. 2010
KW "FAMILY" Igor Korpaczewski
25. 3. – 30. 4. 2010
ROZHOVOR PŘES STĚNU Eva Koťátková
11. 2. – 19. 3. 2010
HLAVYVHLAVĚ Radim Hanke
10. 12. 2009 – 29. 1. 2010
MASKER1 Jakub Matuška
5. 11. – 4. 12. 2009
LABYRINTY Petr Kunčík
30. 9. – 30. 10. 2009
BEZČASIE Juliana Mrvová /SK/
4. 6. – 10. 7. 2009
PARTICIP 91 Tomáš Vaněk
23. 4. – 30. 5. 2009
PEPITO Tereza Velíková
26. 3. – 18. 4. 2009
MANDARINKY Jiří Kovanda
5. 2. – 20. 3. 2009
LESKYMOIDY Milan Houser
11. 12. 2008 – 31. 1. 2009
AIRSTRIKES Lubomír Jarcovják
6. 11. – 6. 12. 2008
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Past exhibition

Das Leben ist ein Kampfspiel

Jan Wölfchen Vlček
22. 11. 2024 – 24. 1. 2025
  • Opening exhibition: 2024. 11. 21. v 18:00
  • Curator of the exhibition: Terezie Zemánková

Exhibition annotation

The central theme of Wolfchen's (not only) painting is contemporary war history and the associated militaristic iconography. As a nationally acclaimed model maker, he has been creating models of war machines - aircraft and tanks - and battlefield scenery since childhood. During his studies at the Academy of Fine Arts, he professionalized this amateur passion and transformed it into a distinctive Dadaist concept, which he strengthened through his active participation in the ZTOHOVEN group. The exhibition at the Kabinet T. gallery wants to be a celebration of Wolfchen's skillful DIY, a manifesto of his pacifist struggle against absurd evil. Like his idol Josef Švejk, he has chosen irony and sarcasm as his weapon of choice, with which he undermines the shaky pillars of our history built on monuments of psychopathic warlords and mass graves of unknown soldiers. 

Annotations to the exhibited works or their thematic areas:


1- If you want peace, prepare for war - 2024 - a powdered inscription of a Latin proverb (Flavius Vegetius Renatus, De Re Militari, Book Three), which is unfortunately still relevant in our time.


2- The War Cross for Private Josef Švejk - 2017 - Although this is a completely fictional character, I am convinced that Private Švejk has made, by his mere existence, an extraordinary contribution to our culture. I awarded him the 1918 War Cross with the decree of award as part of the event. I should certainly also award him the Czechoslovak Revolutionary Medal 1918. The author of the decree was none other than František Kupka, on whose designs for the decoration the medallist and sculptor Antoine Bourdelle based himself.


3- Czechoslovak War Cross 1939 - 2012 - comes from the collection of historical military decorations. I am a passionate phalerist, which is an auxiliary science of history that allows me to better study specific personalities of war history and our resistance.


4 - BE READY - 2014 - is the international Scout motto. I proudly subscribe to the ideas of Scouting even in my adult life. I am glad that our own children are also little wolves.


5 - from the HAVEL series - from 2021 - our former President Václav Havel was also a Scout in his youth. His nickname was "Beetle." I wanted to create a portrait of him, but in the end I chose a completely conceptual portrait when I found Chrobák in the forest in Šumava.

6 - from the series KUNST IST VERBOTEN - 2023/2024 - airships, such as the Zeppelin LZ 129 Hindenburg, were the ideological propaganda of the totalitarian regime, which is why I started writing the slogan ART IS FORBIDDEN on them. I was thinking of using them for the first time directly for an exhibition in Zlín.


7 - from the series CZECH COUNTRY - after studying at the academy I was an assistant to doc. Milan Perič and Dr. Jitka Handlová at the summer landscape plein air workshops organized for the public by the National Gallery in Prague. Painting was done en plein air and almost all over the country. It was an extraordinary experience.


8 - from the series BUNKERS AND LANDSCAPES - since 2005, the first one I painted was an artillery fortress
in Šatov near Znojmo. I continued in other locations around the country, often in the plein air, but sometimes working in the studio. Of course, I studied more deeply professional publications and drawings of our and foreign bunkers and fortresses. There is a question whether the Republic should have defended itself. It would have defended itself for a few days or maybe even weeks. We should have defended ourselves. With the BUNKERS series (2008) I was a finalist for the NG 333 prize organized by the National Gallery in Prague, which we (2007) won as the ZTOHOVEN group.


9 - BUMZTOHOVENBUM - 2008 - a personal documentation through painting and my participation in the early days of the ZTOHOVEN group. It was one big adventure, like the Fast Arrows crew.
In the beginning we didn't even know each other's real names. I was Mila Mikule, Virus or Wolfchen, but no ö.

10 - from the series PYROKRAJINY - since 2003 - I like to work with gunpowder and incendiary cords, it's mostly an intimate pyroperformance or personal type of ritual.


11 - from the CACTUS series - since 2021 - a civilian subject without historical context, it is completely outside my areas of study, it is an example of a peaceful civilian painting.


12 - from the series SINGLES - from 2020 - we have a young daughter. If I hung a fighter jet or a tank over her crib, I don't know what I would hang over my slightly older son's crib. He likes tanks and she likes unicorns. And my world has been greatly enriched by it.


13 - from the MARRIAGE BACKGROUND series - from 2022 - this is a personal take on the male-female principle and situations of cohabitation in marriage. It is impossible to exist without love.


14 - from the series EXPLOSIVE BALLS - from 2013 - originally a pyroperformance for the PUPPENKLINIK gallery, which I built in Prague's TRAFAČKA with my neighbour, the composer Anja Kaufmann. I used to make real rolls explode in the yard before TRAFAČKA was demolished in 2015. I had a studio there for about five years.


15 - SEKERA II. - 2011 - totem symbol of work in progress (starting a camp, founding a troop or troop, etc.)


16 - from the series PYROLOVE - since 2003 - this is one passion, an explosive type of love, diagrams of explosive landscapes, controlled experiments or sometimes also the basis for pyroperformance. Here is also one of the first pyroimages ART IS POWER - THE ART BOMB from 2003.

17 - ART IS A VIRUS - ART IS A VIRUS - since 2003 - this has been my personal motto since my studies, I still use it sometimes. I think it is still relevant and has a strong meaning.


18 - Ghost series - 2010 - portraits with gunpowder and incendiary cord.


19 - FECHTNER and KUTTELWACHER - 2014, these were Czechoslovak fighters in the Royal Air Force, fighter aces, heroes of my childhood, avengers of the Republic. The crosses are symbols of aerial victories they drew under the cockpits of their machines, it's not a promotion of Nazism, quite the opposite. These two were mainly after bombers... the models are installations for the paintings on display.


20 - PICASSOHELLBOY I and II - 2016 - I was thinking about Picasso and the comic book character Hellboy at the time and this is the end result.


21 - from the Minen! series - 2017 - this is a reconstruction of a warning sign from a German minefield in 1944/45 from the French port of Dunkirk where the Czechoslovak Armored Brigade was deployed. It was a trophy used by our soldiers as evidence of a successful patrol and then as an ornament in their hinterland (Jiri Flak - was a Czechoslovak soldier at Tobruk and Dunkirk).


22 - Battlefield - 2024 - room installation of a battlefield, demonstration of a board war game.


23 - Grenades and planes - 2014 - here I combined in a larger format the symbol of hand grenade cycles and fighter planes, the first image of the "holy" grenade is in the collection of the Klatovy/Klenová gallery.

24 - TOTAL CRAP - the silhouette of a Eurofighter fighter comes from 2003, when the Ministry of Defence was deciding whether to buy Eurofighters or Gripen.


25 - PEACE IS SUPER - electromagnetic pulse bomb (High Power Microwave) for destroying electrical equipment, 2003, when the invasion of Iraq began and the war on terror was in full swing, thousands of kilometres away and our European area was living in almost carefree peace. This is a painting that was exhibited in an installation alongside Maurizio Cattelan's "Ave Maria", 2007, in the exhibition (No)Power at DOX, 2022.


26 - GRIPENY - 2005 - This painting is part of a series of paintings within the thesis "Landscape that can explode." Gripens were equipped with our military air force at the time. I still think it is a beautiful machine.


27 - from the SPITFIRE series - 2019 - this is one of the most beautiful aircraft in aviation history, it's an icon that helped win the Battle of Britain and defeat the Nazis. I have been very lucky to have met many pilots who have flown it. (Antonín Liška, František Fajtl, Zdeněk Janda ...)


28 - HPM - electromagnetic pulse bombs - 2003, it's a smart weapon that throws a certain radius into the Middle Ages, the whole affected area is without electricity with non-functioning devices.


29 - SUBMARINES - 2015, a cycle of war machines. Haunting beauty - fascination with technology.

30 - Fishies and Pac-Man - 2021 - a blending of two themes that were present in the covid period, SO IT GOES, Kurt Vonnegut - Slaughterhouse 5 - Fishies and Pac-Man - I haven't been a member of ZTOHOVEN for many years.


31 - FISH - 2022 - civil rest theme. I'm not a fisherman, after 20 years a random invitation came from friends, they fished, I drew and photographed.


32 - Four Courts - almost classic landscape painting from plein air in the Highlands, 2005.


33 - from the cycle CHINESE SOLDIER - 2022 - my father-in-law, poet and painter Pavel Štýbr asked me during a visit to his studio whether I would not give him the title page to his poetry collection "Ride with a shitsucker" with a stencil. He saw a tin soldier and it was clear.


34 - Explosive Roll - 2022/2024 - this one is specifically for the exhibition here. I'd love to do it again in monumental format sometime.


35 - PUBLIC ENEMY - 2009 - A public enemy, a mosquito from a summer plein air painting session. 36 - PUTIN - 2023 - no need to comment.